Here is a video made from the performance of the new wind quintet version of Fantasia on a West-country Tune, (Op. 36a), recorded on 17 February 2017 in the Church of St Mary’s Riverside, Putney, London. The players are members of the London Myriad Ensemble.
My Three Bird Songs (Op 33) will be performed by Ezra Williams (Tenor) with myself on piano at this free lunchtime concert on 28 October. I will also be accompanying a new setting of Shakespeare’s Sonnet 116 by Alan Hilton.
I wrote this piece this year in the style (both musical and graphical) of the ‘classic’ ragtime of the early 1900s (though I think it still bears a few of my personal stylistic trademarks). It exists in both a solo and four hands version, and I have performed both versions a few times, the duet version with the dedicatee, Marta Mitchell.
The amazing Neil Crossland has now made this recording of the solo version. I hope you enjoy it. (Copyright in the recording is Neil Crossland’s. Copyright in the music is mine.)
This concert at St Mary’s Church, Putney, London, will feature the first public performance of Marha: A grand concert rag. I’ll be playing this new composition of mine with Marta Mitchell, dedicatee and Polish virtuoso of the piano, which will hopefully provide a good finale to the concert.
London Composers Forum returns to St. Mary's Parish Church, High Street, Putney for the first of two free Friday lunchtime concerts on 17 June at 1pm.
Musical Moments brings together new music by composers based in the capital and covers a range of accessible styles from traditional to contemporary. This first concert features pieces for solo piano as well as piano duos with the flute, saxophone and cello. The programme includes an improvisation by Mark Pampel, who has built a notable reputation as solo pianist despite being registered blind. Other works in the programme include a sonata for flute and piano, a grand concert rag for piano and a light-hearted, romantic Pas de Deux for cello and piano.
The concert will last about an hour. It's a great opportunity to wind down at the end of the week and prepare for the weekend with music that is fresh, stimulating, varied and free. Many of the composers will be present in person and there is the chance to meet and talk to them about their music.
St. Mary's Church has a wealth of history, dating back to the late 15th century. Adjoining the church is a café – the Putney Pantry – offering snacks, drinks, refreshments and light meals in a relaxed setting. Do come along for lunch or a coffee and stay on to enjoy an hour of music by some of London's liveliest musicians and composers.
Entry to the concert is entirely free, but we hope that what you will have heard will inspire you to make a generous donation as you leave.
The secondconcertwill take place at the church at 1pm on 1 July.
This is a new rendition of Ceremonial March No. 1 (Op. 45a) using Note Performer virtual instruments with Sibelius 7.5, @ David Arditti. This is as yet unperformed. Any orchestras or conductors interested, contact me. For instrument line-up see here.
The earlier rendition was produced with a combination of software and hardware instruments, but this is entirely software and at least as good if not better.
Such realisations also have the benefit of being far quicker to produce.
I will be playing a new short work for piano entitled Moment Musical in a convert given by London Composers Forum at 12 midday on Friday 6 March in the church of St Mary’s, Putney. The concert is free with a retiring collection. Other composers in the concert are Andrew Glynne, Ann Wolfe (who sadly died last year), Janet Oates, Laurence Glazier, Martin Jones (pictured with me below), Peter Terry, and Tony Matthews.
My three-movement Suite in C for solo guitar (Op. 43) will be played for the first time by Dennis Cooke of Lauderdale Guitar Society on Friday 20 September at Lauderdale House, Highgate, as part of this concert, which also features other new works.