David Arditti is a composer of music in the European Classical idiom. His works include vocal, orchestral, choral, brass band, wind band, piano, and chamber music, plus scores for film and video. He also plays the piano, accompanies and conducts. He can be commissioned to write music for any group, and also for film or other media.
I’ve been collecting some of the recordings of my choral music, and making videos of them where they are combined with the text, which can be read while listening. These can now be found here. I’ll be adding to this page as time goes on. Since choral music has been a large part of my output, this is a significant addition to the site.
Here is a video made from the performance of the new wind quintet version of Fantasia on a West-country Tune, (Op. 36a), recorded on 17 February 2017 in the Church of St Mary’s Riverside, Putney, London. The players are members of the London Myriad Ensemble.
This work is also available in two brass quartet versions: either 2 cornets, tenor horn and euphonium (brass band transpositions), or 2 trumpets in Bb, horn in F and tuba (orchestral transpositions) from Music for Brass. Additionally there is a version for clarinet, alto saxophone and two trombones. Any enquiries about this or the wind quintet version to me.
The London Myriad Ensemble will be performing a new arrangement for wind quintet (flute, oboes, clarinet, horn, bassoon) of my Fantasia on a West-country Tune (Op. 36a) in a concert of new music for wind organised by London Composers Forum (of which I am the Vice-Chair).
The concert is on Friday 17 February 7:30pm at St Mary’s Church, High Street, Putney, London SW15 1SN. Tickets are £12 or £10 in advance (call 07765 147324).
Fantasia on a West-Country Tune is available in two brass quartet versions: either 2 cornets, tenor horn and euphonium (brass band transpositions), or 2 trumpets in Bb, horn in F and tuba (orchestral transpositions) from Music for Brass. Any enquiries about this wind quintet version to me.
My Three Bird Songs (Op 33) will be performed by Ezra Williams (Tenor) with myself on piano at this free lunchtime concert on 28 October. I will also be accompanying a new setting of Shakespeare’s Sonnet 116 by Alan Hilton.
I wrote this piece this year in the style (both musical and graphical) of the ‘classic’ ragtime of the early 1900s (though I think it still bears a few of my personal stylistic trademarks). It exists in both a solo and four hands version, and I have performed both versions a few times, the duet version with the dedicatee, Marta Mitchell.
The amazing Neil Crossland has now made this recording of the solo version. I hope you enjoy it. (Copyright in the recording is Neil Crossland’s. Copyright in the music is mine.)